All posts filed under “temp-en

Christian Odzuck: Atlanten, 2020

mixed media; total: 580 x 1,745 x 726 cm „The city as a stage, the buildings their protagonists, the audience on the catwalk: Christian Odzuck’s installation „Atlanten“ supports the utopia of an artistic world, at the top of which stands architecture as a universal discipline. With this […]

Phung-Tien Phan: Banquet Group 2, 2018

Bankett Gruppe 2 / Banquet Group 2 Eight seperate parts: concrete, metal, lacquer. Fence: wood, polycarbonate, photo total 57 x 1,405 x 870 cm The grass surface seems to be populated by unknown creatures: iridescent shapes of different colors, standing on fragile legs. One thinks […]

Martin Pfeifle: onda, 2016

wooden slats, laminated wood, lacquer 100 x 1,000 x 707 cm „Seating accommodation, playground, art work: when Martin Pfeifle (* 1975) “does the wave” at the Moltkeplatz, his work – extending some ten by seven meters – attracts life just like an artificial coral reef made of […]

Konsortium: Corridor, 2014

Korridor / Corridor timber, sheathing, wall paint, lacquer 300 x 1,240 x 600 cm “Der Baukunst zur Ehr´, der Jugend zur Lehr`/ Honouring architecture, teaching the youth“ was displayed above the portal of the Königlichen Baugewerkschule / Royal Architectural Construction College. Inaugurated in 1911, it today houses […]

Frank Bölter: HOrigamiUSE, 2013

Laminated paper; 426 x 500 x 354 cm „Collectivity creates responsibility: Frank Bölter (*1969) invited all citizens of the Moltkeviertel – and beyond – to jointly fold a house made of Tetrapak-like laminated paper: five meters wide and over four meters tall. Made by many […]

Monika Stricker: I Know It Is A Metaphor, 2012

artificial sweat, T-shirts, bucket, matchbox, matches, mirror, glass cabinet; 192 x 123 x 123 cm „To be or not to be – that is the question posed by Monika Stricker (*1978). On the Moltkeplatz her work I Know It Is A Metaphor attracts the visitor with a […]

Leunora Salihu: Tube End, 2010

wood, synthetic material | 240 x 530 x 610 cm „Half technical device, half a lindworm: Tube End is intent on breaking free from the ground of the sculptures park to explore the world for us. Leonora Salihu (*1977) pushes for the exchange among the dimensions, from […]